Tag Archives: recommended

The Rescue (Guardians of Ga’Hoole #3)

Title: The Rescue

Author: Katheryn Lasky

Series: Guardians of Ga’Hoole #3

Soren has recovered his sister, Eglantine, but lost his new mentor, Ezylryb. The danger posed by St. Aegolius still exists, but whatever took his sister might be the “You only wish” danger Soren was warned about before. With evil at loose in the owl kingdoms, it may be up to Soren and his friends to fight sooner than they expected . . .

At last, a single story that manages to combine some lighter moments with a more serious plot. I found it odd that Soren apparently turned Ezylryb from a grouchy, disfigured leader he had just barely got over being afraid of into a beloved mentor somewhere between the end of the last book and the start of this one.

The mystery of the flecks, Eglantine’s whereabouts, and Soren’s growing leadership are the strongest part of the story. I wasn’t too surprised by Metal Beak, though. His identity was all but revealed the moment his name comes up. And the final fight was a bit odd because we have a few extra owls appearing out of nowhere to even up the sides–and I don’t recall the plot ever mentioning why or how they got there.

If you’ve enjoyed the series so far, by all means keep reading. Younger readers may not be as quick to spot some of the obvious plot turns, and the characters are a generally enjoyable bunch. I rate this book Recommended.

The Journey (Guardians of Ga’Hoole #2)

Title: The Journey

Author: Kathryn Lasky

Series: Guardians of Ga’Hoole #2

Soren, Gylfie, Twilight, and Digger set out to search for the Great Ga’Hoole tree and the noble order of owls that lives there. They’re eager to report the horrors they’ve seen. But Ga’Hoole isn’t what they expected, and the owls are reluctant to launch an attack like Soren expected. Instead the four are tasked with learning various skills so they can become full-fledged members of Ga’Hoole.

I liked this book better than the previous, but it was a bit odd to get to the destination only halfway through. The plot feels like two different books, comprising the before and after of the owls’ arrival at Ga’Hoole.

Since they are traveling, though, Soren and his friends get to see much more of the world. It’s literally a flyover, but they make a few stops. I do wish they’d bothered explaining exactly why a certain area was so dangerous. Why would it have been bad to linger, other than forgetting their original mission? Technically, they don’t really try to mobilize the Ga’Hoole owls once they get to the tree after being told they have much more to learn.

And I know the owls are being humanized, but it was still odd to see them drinking tea and eating cooked meat.

All in all there isn’t much to say, other than it feels like two very short books rather than one short book. The break in the middle splits the story pretty well, and makes it difficult to hold an overarching plot, since the goals of the first and second halves are markedly different. If you liked the first book, you might as well keep going. I rate this book Recommended.

Audiobook Roundup – Mister Monday, Grim Tuesday

Title: Mister Monday

Author: Garth Nix

Series: Keys to the Kingdom #1

(Also Grim Tuesday, which is the second book in the series)

I had the opportunity to listen to the audiobook versions of Mister Monday and Grim Tuesday recently. Both of them are narrated by the same reader and generally very well done. I wasn’t too fond of Suzy’s dialogue as she’s read in a bit of a whiny tone, but the variation in voices was good (so you could tell who was talking before you got to the dialog tags) and there was a lot of emotion in the actual lines.

I still find Grim Tuesday less interesting than Mister Monday, mostly because the Will doesn’t show up until basically the end, and doesn’t do anything much. And the Second Key also isn’t in Arthur’s possession until basically the last chapter. But it helps that Nix’s stories make very good audiobooks—he doesn’t have wasted prose, the plots are tight and energetic, and his characters are well drawn.

Check out my reviews on the books if you want farther thoughts on the plot. The story is good in either case, but you won’t go wrong with the audiobook.

The Capture (Guardians of Ga’Hoole #1)

Title: The Capture

Author: Kathryn Lasky

Series: Guardians of Ga’Hoole #1

Soren is a young barn owl with loving parents, a cute little sister, and a terrifying older brother. When he prematurely leaves the nest, he’s snatched up by owls who take him to their home. St. Aegolius has its own ideas about what an owl should be: numbered, unthinking, obedient. Above all, don’t ask questions. But Soren refuses to succumb, and with the help of Gylfie, an elf owl, he makes plans to escape . . .

I liked Soren, and the various owl kingdoms, and the little details of their lives. Especially the flying. The various types of owls have their own abilities according to their species, which shows up more towards the end when those abilities come into play. And Soren and Gylfie are both very cute characters. I like Gylfie’s faculty with language, and Soren’s sensitivity. I liked how the stories of bravery kept them going and inspired them to break free.

I am, however, tired of extremely dysfunctional societies. It’s just not fun to have the constant terror of brainwashing, monitors, and slavery drowning out all the possible moments of joy. The book being a clear first in the series means that the end doesn’t really wrap anything up, either.

Overall this isn’t a bad start. I found it a bit too depressing to be a favorite, but it was a decent read, and I’ll likely go on with the next book. I rate this book Recommended.

Further Thoughts – Yona of the Dawn

I wanted to jot down a few further thoughts on Yona, since I had a chance to review the dub, and I wanted to mention a few things in a bit more depth about the manga.

The dub is serviceable, but most of the characters didn’t feel great in their roles. Gija is a major exception, as his voice actor absolutely nails his bug-related freakouts, but others like Jaeha don’t have any transition between their comedy portions and their regular voices, which made Jaeha sound more monotone than his Japanese voice. Or there are odd moments like Yun using his obviously male voice when talking to Yona during a period when he’s disguising himself as a girl—and none of the other girls figure this out until so much later it feels really stupid. In addition his attempts to sound feminine are still gravelly.

As an added annoyance, this disk is the first anime I’ve watched that didn’t allow me to put subtitles on when I was watching the English, which is how I prefer to view dubs. That allows me to more easily evaluate where the dub changed the script, or catch lines that might be muttered or in the background.

Jeno/Zeno is still my favorite. (Looks like he’s officially Jeno, but it sounds like Zeno in the Japanese, and we already have Jaeha, so I prefer Zeno.) His little “we can totally storm the castle” speech in the last ep is the first big hint that he’s more than he appears—why the massive amount of confidence when he’s previously described himself as basically powerless?

And when the manga finally shows his ability in chapters 99-100, Zeno demonstrates he could probably storm the entire castle by himself. And win.

**MANGA SPOILERS**

I love how Zeno’s backstory is basically: the other three dragons never let him fight because he was weak, and then when they got old and retired, he went out and did everything by himself. He’s unkillable but not invincible, as Shin-Ah demonstrates by tying him up. So despite having massive powers, he doesn’t unbalance the plot because his personality isn’t suited for fighting, and because in order to trigger those powers he’s first got to take deadly levels of injury.

I adore his initial battle, as his ineffectual resistance slowly transforms into complete invincibility. And all his friends are shell-shocked from the moment he first gets stabbed through the heart . . . and he’ll take way more damage than that before he’s done. One of my favorite frames is the panel after he’s been stabbed multiple times, dismembered, and beheaded, and is standing there with ruined clothes but a whole body and taunting the enemy: “What will you do? Unlike you, I have no limits. I can go on fighting for hundreds of years. Come at me. I have all the time in the world.”

And then they find out that he’s not only unkillable, but after a certain point he can’t even take injuries anymore, and they’re now fighting a dragon just as ferocious as Gija and Jaeha combined.

It really is a shame it’s going to take so long to get volumes 17-18 in English.

I like how the dragons are becoming more and more a group of friends. Zeno admits the original four never really meshed that well, as the thread of competitiveness disrupted the sense of being a team. But the current group demonstrates again and again their willingness to support each other, which is perhaps a reflection of Yona being weak where King Hiryuu was strong. Yona can’t pull her own weight in fights the way he did. And Zeno isn’t volunteering to hurt himself as long as the other three canĀ  handle things without his help, but if the situation calls for it, he’ll cheerfully offer to undergo hideous pain because he knows he can take it.

I also like how the manga has generally moved towards longer plot arcs. Su-won turns his attention to the surrounding kingdoms, and Yona for one reason or another is in the middle of things, which means plenty of time to explore the other nations. It raises some interesting questions about Su-won’s ultimate goal, as his short-term aspirations are building up Kouka and reducing his neighbors so they won’t face external threats. He doesn’t seem like he wants to invade, so I do wonder what he’ll get up to once the last neighbor has either submitted or lost a war with him.

At any rate, it’s a shame that the anime doesn’t look likely to go any farther. The plot continues to improve, the characters have a lot of interesting revelations, and the surprises keep on coming.

Yona of the Dawn (anime)

Yona of the Dawn

Episodes 1-24

Yona is a pampered princess with a peace-loving father. She’s in love with her cousin, Su-won—but when Su-won kills her father and usurps the throne, Yona becomes a fugitive, with only a single guard, Hak, to protect her. In order to survive, she’ll need allies. So begins her quest to gather the four legendary dragon warriors.

I was hoping for something similar to the excellent 12 Kingdoms, and in that regard was disappointed. Yona is very solidly a shoujo with a dash of reverse harem, and the show focuses a lot on the string of guys she accumulates and the various semi-romantic hijinks that occur between them. That said, there’s a fair amount of action as well, and even if I didn’t like Yona, the guys tended to be a lot more interesting.

Hak, for all that he isn’t a dragon (officially, at least) can rampage just as well as any of them. He’s also in love with Yona, although his position as her servant won’t allow him to admit it (and Yona is extremely clueless). The dragons themselves are a fun lot. Each of the dragon warriors has a specific power, and generally very different relationships with that power depending on how their villages viewed it. The one major exception in the anime is the Yellow Dragon, mostly because he shows up in just the last episode, but presumably the manga digs into his character more. I like Jaeha’s power the best, and his stubborn insistence not to let dragon-blood-destiny run his life (although he ends up coming anyway, of course). Rounding out the group is Yun, whose competence with everything not fighting makes him a vital support.

(I did read the manga and once we FINALLY get Jeno/Zeno’s backstory and get to see his powers, he easily became my favorite. I like his casual, happy attitude, rumpled appearance, the moments of surprising insight or wisdom that shows he’s not an idiot, the spirit of self-sacrifice that says, “This may be all I can do, but I will do it.” He’s really not a fighter the way the other three are, and his approach to battles horrifies everyone who watches him because of how much he has to suffer to use his abilities, but he never complains, and even volunteers his own suffering to save them pain. And his powers are SO MUCH FUN. Even if, far more than the other three, his could honestly be called a curse.)

Yona, though, is almost unbearable in the beginning. I’m glad the anime beginning included a flash forward, because I don’t think I would’ve stuck around long enough to get there otherwise. Eventually she realizes the depths of her helplessness and determines to get better, but it’s a long journey to even marginal usefulness. She’s almost more of a mascot, whose job is to keep everyone else happy and willing to fight. This is starting to turn around by the end of the anime, and I can only hope the manga grows her up more.

The plot can also suffer from some bizarre moments, particularly early on. Like the snakes that show up out of nowhere, at night, and are chasing Yona and Hak through a forest. Because . . . cold blooded creatures with no legs can run as fast as two humans? Yeah. Although I ended up liking the show, especially once I read the manga and got to see some of the later ways things play out, the beginning is just hard for me to watch.

Overall whether or not you like this is going to depend on how much you like the shoujo aspects of it. It does have a good amount of action, humor, and depth of character, so there is enough to enjoy if the presence of some of the tropes doesn’t ruin it. One of the more surprising aspects, to me, is that the usurper Su-won is actually a remarkably good king—and so much better than Yona’s father that it’s arguable if it would even be a good thing for Yona and the dragons to go against him. Certainly Yona’s not ready to sit on a throne. But neither the anime nor the manga treats that question much. It’s more about Yona being able to survive in a desperate and dangerous world. I rate this series Recommended.

Elizabeth’s Legacy (Royal Institute of Magic #1)

Title: Elizabeth’s Legacy

Author: Victor Kloss

Series: Royal Institute of Magic #1

Ben Greenwood was devastated the day his parents vanished. With his house wrecked, and no clues to where they’d gone, he has nothing but his own stubbornness and a fragment of shimmering cloth leading him to believe they haven’t just abandoned him. But when an unexpected legacy leads to a place he never suspected existed, he realizes his parents were involved in far more than he knew . . .

If there’s one major complaint I have about this, it’s that the prologue is too good to then drop Michael for the rest of the book. I had expected alternating chapters exploring what Michael saw in the past with what Ben was discovering in the present, but it appears the prologue is there mostly to provide that long letter of introduction to the Royal Institute of Magic (and so Michael’s name will be vaguely familiar the next time you encounter him as a historical footnote).

That aside, this was a lot of fun. I liked how overweight and unmagical Charlie wasn’t ignored or belittled, but has his own critical part to play at several points. And I especially appreciated that the end wasn’t looking to write him out of Ben’s life. Similarly, I liked Ben. His parents clearly have something weird going on, which they tried to keep him out of, but he’s mostly normal, although he’s got more of a gift of magic. He’s desperate to find his parents and clear their names, but he can’t do it alone.

The worldbuilding was also interesting. Various races and types of magic show up, although they do tend towards certain class stereotypes for the most part (with the hotel being an amusing exception). Then again, Ben doesn’t really get the chance to know any of them for longer than a few moments, so that could easily change.

All in all, this is a solid start to a series, with the hook at the end indicating what direction future books will take. I still wish Michael’s story got a chance to fully come out, but maybe he’ll get additional scenes in the future. I rate this book Recommended.