The modern world has crumbled under the onslaught of a new life form, dubbed Aragami. These creatures rise and eat everything, and cannot be stopped except by artificially-created Aragami modified to be weapons. These God Arcs are wielded by humans synced to them, the God Eaters. You play a user-defined protagonist who just tested positive for compatibility for your own God Arc.
I bought this game almost by accident. I hadn’t really heard of it, and all the comparisons to Monster Hunter left me doubtful if I would enjoy it. But it had some Tales crossover appeal (some God Eater costumes and monsters appeared in Zestiria, and some Zestiria costumes were a day one bonus for God Eater), and the combat didn’t look too bad. I ended up getting the game and quickly fell in love.
The gameplay is really fast-paced. You have a home base where you can talk to other characters, craft or buy things, or accept missions. Once you’ve chosen a mission, you can leave, and you’ll be deposited on the field. The Aragami aren’t trying to hide from you, and will show up on your map, so it’s generally very quick to get into the action. And for about the first half of the plot, the individual missions are pretty fast to complete. Later in the game, partially due to the increased number of enemies, it started taking longer, but an average mission could still be 10-15 minutes.
If multiplayer is more your thing, then the game does have a multiplayer mode. I don’t really care for multiplayer and never tried it, but it does give the option of doing the more difficult missions with real people instead of the NPCs. That said, those NPCs are really good at staying alive (although the ones with shields tend to be better than the ones with only guns, as those characters can’t block). They may not melee half as well as you, but they can resurrect you and heal you, and it was very rare for them to die more often than I did.
The God Arcs have spoiled me for weapons from other games. Your single weapon transforms between shield, gun, and melee weapon of choice. You have three types of shield, four types of gun, and six types of melee weapon. Although you can’t switch equipment mid-mission, you can switch between missions. I really enjoy the ability to switch between short range and long range attacks on the fly. Your melee attacks charge an energy meter used to fire your gun, so battles are generally an initial volley (or for the blast gun, you can stockpile the meter) followed by some melee where you can drop a bullet or three every time you’ve got enough for another shot.
The game provides a number of bullets but you can also customize your own. This isn’t well explained in the game, but plenty of recipes exist online, or you can modify the bullets provided by the game and test them in the bullet editor before bringing them out on the field.
Although bullets tend to deal more overall damage, melee has its own tricks in the form of Blood Arts, which can modify various aspects of your attack to be more powerful. A well-aimed Blood Art can easily do as much damage as most bullets.
It’s also trivial to switch between weapon types, as you can craft an appropriate level of equipment and the Blood Arts (or Blood Bullets, for a gun) will level more rapidly against powerful enemies. So it only takes a small number of missions to get to a comparable level with at least one Blood Art on a new weapon type.
The crafting system has a good amount of depth, but also some shortcuts. You have a list of craftable weapons, and anything less than rank 15 can be upgraded to an eventual rank 15 form. Many of the upgrades aren’t available to craft directly, but upgrading will allow you to carry over the previous form’s skills, and it’s generally cheaper than crafting directly. So old weapons can be made useful again for less than the cost of a new one. If you don’t have a certain material required to craft or upgrade, every mission has some form of Ticket in its reward list. These tickets can be crafted into just about any material, which drastically cuts down on the requirement to farm. At worst, you’ll just have to redo a mission with the appropriate ticket reward instead of worrying about getting a rare drop. (Now, the menus could absolutely stand to be broken up better so you don’t have to scroll so far, but if that’s the worst I can say about it I’m still very happy.)
Clothing can also be crafted. Thankfully, this is cosmetic only, so you can dress your protagonist however you please. And although I hated a lot of the female outfits, I could still find a large number of combinations I liked. (Some NPCs have additional outfits, but sadly will only wear them during missions.)
The plot has good moments. I love the setting: a post-apocalypse world full of broken buildings haunted by monsters. I liked the plot, as generally the story comes in pretty small portions between missions. So even the slower or more generic parts tended to go quickly. Although one twist in particular left me torn between admiring that they went there and irritated at what it meant for my mission teams. There’s also the ability to watch any previous cutscene via the big monitor in Fenrir or the terminal in your room in the Far East.
Gilbert is my favorite character. He’s not as childish or enthusiastic as Nana or Romeo, but his reserve tends to break down in battles (he has some amusing lines on the field. Just try passing him a bullet or pay attention when the Aragami runs away). Out of battle, he’s highly conscious of the responsibility and danger of being a God Eater; his experiences in his former unit earned him the nickname Fragging Gil. He’s also not easy to fool–I particularly liked what he did in a confrontation in chapter 14. I also liked Julius and Tatsumi (I like responsible leader-types).
The music is generally excellent as well. They range from sweeping orchestral themes to quiet piano melodies to more of a rock style. Missions often allow you to choose background music (sometimes the plot missions won’t, but if you replay them you can pick whatever you want). As a nice bonus, once you reach rank 15, the jukebox unlocks, so the out-of-battle music can be entirely your choice (including no music).
I have very few criticisms of the game. This was originally designed for the Vita and it shows in a few ways. The battle arenas are a good size, but can get repetitive since new fields are few and far between until the end, but the glut of new fields there tends to be recolors of the same layout. And the out of battle areas are a few tiny rooms in your headquarters. I wish some of the menus (especially material crafting) had a better layout to avoid the enormous amount of scrolling required when you have the full list of endgame craftable items. And I wish certain monsters showed more in individual missions so I don’t have to keep playing a string of survival missions just to fight them.
Overall, this is the kind of game that exactly suits me as someone who likes anime-styled action games with some deep RPG mechanics (which is obvious when I consider that the only other game that even comes close in playtime for me is Tales of Graces and that was with multiple playthroughs). I don’t remember what my hour count was when I first beat the plot, but I’ve been taking it slowly and although I’ve run out of story, I still have the various extra missions and challenge missions I’m working through. Currently I’m around 175 hours in and still having a blast. I’ve changed weapon types a few times and am still working on mastering all the skills, building an ultimate set of equipment, and so on. It is more than possible to beat this game in a fraction of that time, if you’re just looking to rush to the end. If you like the Tales games, or are simply looking for a fast-paced action game, I would highly recommend checking this out. I would also suggest getting the Day One edition, as it includes God Eater Resurrection (a remake of the first game with some updated mechanics) for free.