Tag Archives: Manga

That Time I Got Reincarnated as a Slime (Manga)

Title: That Time I Got Reincarnated as a Slime
Format: Manga
Volumes 1-7

I’m not going to bother recapping the story review since I just posted the first three novel reviews, and the manga so far only touches those three volumes.

In terms of story, it’s impressively similar. There are certainly bits dropped, but it’s mostly Rimuru’s technical explanations of various matters (which I enjoy, but I realize not everyone might), and there’s some slight reordering of events to make the trimmed version cohesive. So if this is the only version you care about, you’re still getting pretty much everything. And the visual gags can add some additional humor.

The art is fantastic. This story was going to be a challenge to draw purely due to the number of monster characters, but the visuals are for the most part very good. I think the lizardmen are the weakest, but even they have recognizable differences in design so characters are visually distinctive. Of course Benimaru and Souei were my favorites (the panel showcasing Souei’s smiles made me laugh so hard . . . He really does look super irritated when he’s grinning).

Rimuru’s human form is also spectacular. I like how androgynous he is—he still thinks in somewhat male ways due to his past life, but the body he mimics was originally female, and in any case is genderless when he mimics it since slimes have no gender. So the scenes where he’s being dressed up by the girls, or where he’s pulling on a suit and tie for treaty talks both look natural.

Kodansha’s not skimping on the release, either. Not all of the volumes have color pages up front, but the ones that do are presented in color, which I appreciate because not all publishers will.

My absolute favorite thing about the manga, though, and the one item that absolutely makes them worth buying if you already have and like the light novels, is Veldora’s diary entry at the end of each volume. Did you ever wonder what happened to Veldora after Rimuru swallowed him with the promise of both of them working on the seal? The novels leave you to assume Veldora is diligently throwing his all into breaking free . . . and his diary quickly dispels that notion. The incredibly bored dragon has found a number of new sources of entertainment—Rimuru’s memories (especially his human ones), whatever Rimuru is up to at the moment, and, eventually, Ifrit. (Poor Ifrit.) Add in a bit of meddling from the Great Sage (or Veldora trying to use the Great Sage for his own ends) and it was impossible for me to get through more than a few sentences without laughing. And oh, is Rimuru in for a surprise whenever he finally gets Veldora out . . .

Overall, I would consider this a solid investment, whether you’re only intending to follow the manga or whether you want it as a companion to the anime or light novel. I rate this series Highly Recommended.

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In/Spectre (Manga)

Title: In/Spectre

Format: Manga

Volumes: 1-8

Kuro is a regular visitor at the hospital Kotoko goes to for checkups, but as he’s usually accompanied by his girlfriend, Kotoko has kept her crush a secret. After she learns they broke up, however, she’s determined to make her move. After all, they both have secret ties to the world of yokai, monsters, and spirits. But both of them will be stretched to their limits by a ghost that’s started appearing. Steel Lady Nanase, whose face is smashed in and who wields the I-beam that killed her, is starting to rampage . . .

This was a lot of fun. Kuro is so laid-back about everything, including having his arm chomped off by a giant monster. Turns out he’s basically immortal (and has one other fun ability that can only be activated when he dies). So he spends the story facing incredible danger with a really bored expression. He’s not good at fighting, but he doesn’t really need to be, because nothing can kill him so that he stays dead.

Kotoko is also interesting, although I don’t like her as Kuro’s girlfriend because she’s incredibly pushy. I suppose she does listen when he tells her no, even if that doesn’t stop her from continually trying. She’s missing one eye and one leg as part of a bargain she made with the yokai when she was a kid to be their goddess of wisdom. Which basically means she troubleshoots their issues, which is how both she and Kuro get involved in the Steel Lady Nanase case.

Steel Lady Nanase herself is a really weird little upside-down mystery. Kotoko’s relationship with the local spirits means that discovering the truth is actually pretty easy—but the truth is the problem. Steel Lady Nanase is an urban legend, empowered by belief, and allowing other people to believe that she’s responsible for the things she’s actually doing will only empower her to do worse. So now the question becomes how to put down a ghost that isn’t a ghost, and it will take everything Kotoko and Kuro can do to stop her.

Although I do find it hilarious Kuro’s role in books 5-6 particularly boils down to “get killed repeatedly to keep the ghost distracted from killing people who can’t survive the experience.”

The first six volumes cover the plot of the novel (which doesn’t appear to have an English version), and it was pretty obvious to me it was based on a book. The way the plot stays tight despite hundreds of pages, the flashbacks, the focus on the mystery, and the way a lot of the action is everyone sitting in a room trying to discuss what they know and what they need to do feels like a novel. Which isn’t a bad thing, as volumes 7 and 8 are definitely less compelling simply because their stories are too short to build up the same stakes.

These stories are also hilarious, even if you don’t have my sometimes macabre sense of humor. Kotoko quoting various pacifists and Kuro responding “He got shot, too,” in volume 7 is one of my favorite moments. Or the myriad of ways Kuro shuts down Kotoko’s attempts to get him to sleep with her. I was rooting the whole time for him to get back together with Saki. The one time he looks genuinely happy talking to Kotoko about their relationship is when he tells her if he can have anything he wished for, he’d wish to break up with her. I think they work well as friends and partners, but Kuro clearly isn’t on the same page as Kotoko when it comes to a romantic relationship.

Overall, this is a fun series that’s enough sideways to your typical modern supernatural story to stay surprising. Books 1-6 do comprise a complete arc, with 7 and 8 feeling more like bonuses. I rate this series Highly Recommended.

Tales of Zestiria (manga)

Title: Tales of Zestiria
Volumes: 1-3

Adapted from the game, Tales of Zestiria follows Sorey, a human, and Mikleo, a seraph, as they journey from their remote mountain village into the world. Calamities are multiplying, but when Sorey takes up the mantle of the Shepherd, he gains the power to actually do something about their cause . . .

This adaptation condenses quite a lot, which means certain bits (like the bow Mikleo finds) get changed around a bit to fit the new structure. On the plus side, all the important scenes are still there, and most of what was cut was relatively minor stuff, so it doesn’t hurt the pacing. In fact in some cases the pacing feels improved since a lot of the additional explanation is trimmed out.

What does feel awkward is that the fight scenes tend to get cut short, or take all of three frames to finish. But I mostly bought this for the pretty art, and on that front it does not disappoint at all. Seven Seas did a really nice job including a color plate in front with images front and back. The story art is clean and has a lot of really nice frames of everyone in various poses. And the back of the volumes includes little gag manga that behave like extra skits (the nods to the game equipment screen—and making all the accessories Alisha’s fault—when the characters were playing around with the dress-up accessories was really funny).

Overall, by this point you probably know if you like the story or not, and if you don’t, one more adaptation isn’t going to change your mind. If you did enjoy the story, I consider the manga a worthwhile investment. It’s speeding through the plot fast enough that this is looking like a very short series, the art (minus the fight scenes) is generally very good, and so far it’s preserved all the high points. Recommended.

Psyren (Manga)

Title: Psyren
Volumes: 1-16 (chapters 1-146, complete)

Ageha is a kid who likes to fight. He says he’ll solve problems for 10,000 yen, but that’s just an excuse to get into trouble. But when a former friend asks him for help, then disappears, he’s determined to figure out all the things she didn’t say and solve a mystery far bigger than he ever imagined . . .

This is primarily a mystery-driven story, so I’m going to try to avoid talking about plot or even characters as much as possible, since spoiling too much would ruin the fun. What I will say is that the story rockets through its twists and turns. The sci-fi angle starts by the end of the first chapter, and Ageha soon understands why Amamiya always looked so strung out. Now he’s stuck in the game as deeply as she is, and one false move will get them killed.

I really liked the characters, especially the four kids. Kyle was a particular favorite—he was rambunctious without being annoying, he had a neat darker-skinned character design, and his enthusiasm never lets up even when the situation looks extremely grim. And Ageha’s relationship with those kids, and his desire to protect them, changes their lives quite a bit.

Although Psyren doesn’t have the benefit of an anime, it does have the benefit of being complete. All volumes have been released by Viz, making it easy to acquire. (I can hope it gets the Ushio and Tora treatment of getting an anime adaptation well after the fact, but I won’t hold my breath.)

Overall this is another recommendation I’m glad I followed. The series is well worth checking out. It does end a bit fast, but the major story completes in a satisfactory way, and there were only a few bits that felt like they should have been fleshed out. I rate this series Highly Recommended.

Further Thoughts – Yona of the Dawn

I wanted to jot down a few further thoughts on Yona, since I had a chance to review the dub, and I wanted to mention a few things in a bit more depth about the manga.

The dub is serviceable, but most of the characters didn’t feel great in their roles. Gija is a major exception, as his voice actor absolutely nails his bug-related freakouts, but others like Jaeha don’t have any transition between their comedy portions and their regular voices, which made Jaeha sound more monotone than his Japanese voice. Or there are odd moments like Yun using his obviously male voice when talking to Yona during a period when he’s disguising himself as a girl—and none of the other girls figure this out until so much later it feels really stupid. In addition his attempts to sound feminine are still gravelly.

As an added annoyance, this disk is the first anime I’ve watched that didn’t allow me to put subtitles on when I was watching the English, which is how I prefer to view dubs. That allows me to more easily evaluate where the dub changed the script, or catch lines that might be muttered or in the background.

Jeno/Zeno is still my favorite. (Looks like he’s officially Jeno, but it sounds like Zeno in the Japanese, and we already have Jaeha, so I prefer Zeno.) His little “we can totally storm the castle” speech in the last ep is the first big hint that he’s more than he appears—why the massive amount of confidence when he’s previously described himself as basically powerless?

And when the manga finally shows his ability in chapters 99-100, Zeno demonstrates he could probably storm the entire castle by himself. And win.

**MANGA SPOILERS**

I love how Zeno’s backstory is basically: the other three dragons never let him fight because he was weak, and then when they got old and retired, he went out and did everything by himself. He’s unkillable but not invincible, as Shin-Ah demonstrates by tying him up. So despite having massive powers, he doesn’t unbalance the plot because his personality isn’t suited for fighting, and because in order to trigger those powers he’s first got to take deadly levels of injury.

I adore his initial battle, as his ineffectual resistance slowly transforms into complete invincibility. And all his friends are shell-shocked from the moment he first gets stabbed through the heart . . . and he’ll take way more damage than that before he’s done. One of my favorite frames is the panel after he’s been stabbed multiple times, dismembered, and beheaded, and is standing there with ruined clothes but a whole body and taunting the enemy: “What will you do? Unlike you, I have no limits. I can go on fighting for hundreds of years. Come at me. I have all the time in the world.”

And then they find out that he’s not only unkillable, but after a certain point he can’t even take injuries anymore, and they’re now fighting a dragon just as ferocious as Gija and Jaeha combined.

It really is a shame it’s going to take so long to get volumes 17-18 in English.

I like how the dragons are becoming more and more a group of friends. Zeno admits the original four never really meshed that well, as the thread of competitiveness disrupted the sense of being a team. But the current group demonstrates again and again their willingness to support each other, which is perhaps a reflection of Yona being weak where King Hiryuu was strong. Yona can’t pull her own weight in fights the way he did. And Zeno isn’t volunteering to hurt himself as long as the other three can  handle things without his help, but if the situation calls for it, he’ll cheerfully offer to undergo hideous pain because he knows he can take it.

I also like how the manga has generally moved towards longer plot arcs. Su-won turns his attention to the surrounding kingdoms, and Yona for one reason or another is in the middle of things, which means plenty of time to explore the other nations. It raises some interesting questions about Su-won’s ultimate goal, as his short-term aspirations are building up Kouka and reducing his neighbors so they won’t face external threats. He doesn’t seem like he wants to invade, so I do wonder what he’ll get up to once the last neighbor has either submitted or lost a war with him.

At any rate, it’s a shame that the anime doesn’t look likely to go any farther. The plot continues to improve, the characters have a lot of interesting revelations, and the surprises keep on coming.

07-Ghost (manga)

Title: 07-Ghost
Volumes: 1-17 (Complete)

Ten years ago, war broke out between the Barsburg Empire and the Raggs kingdom. Teito Klein, orphaned by this event, had been pressed into service as a battle sklave for Barsburg, which made him less than popular at the military academy he attends. However, one other boy, Mikage, persists in being his friend, which leads to trouble for both of them when Teito unexpectedly runs across someone from his dimmest memories . . .

It’s hard to give a decent summary of this, because so much of the story revolves around who Teito is, what he does (and doesn’t) remember and why, and how those memories influence him to make the journey he ultimately takes. I liked it a lot as a fantasy. There’s a lot to be said for a story that spans 17 volumes but knows from the beginning where it wants to go, and doesn’t detour at all along the way. As a story, the focus on playing up possibly-romantic relationships between guys unfortunately takes away from some of the more complex relationships that are trying to develop.

I liked the layers of mystery. Teito hasn’t forgotten his origins because he was very young (about four) when everything happened, but also because his memories were deliberately locked away from him. Even that young, what he knew was dangerous. Even now, remembering the wrong thing at the wrong time could ruin everything.

And the world itself has layers. On the purely human level, the Barsburg Empire has all but wiped out the kingdom of Raggs, and they’re eager to move in on what remains. But a large part of the story is also about spiritual matters. The King of Heaven allows every soul to choose three wishes for which to live its life, and once those three are fulfilled, the soul returns to him. However, evil forces offer to grant those wishes in exchange for the soul—and they are working to lay the foundation for the return of Verloren, the god of death. Seven “ghosts” were assigned from heaven to help keep Verloren imprisoned, and Verloren’s body and soul were separately sealed. But he’s working out a plan for revival.

In the beginning, when everything is just starting to unfold, it can feel a bit random. Ayanami remains a good villain, but the Black Hawks in his group struggle to feel meaningful for a long time. I liked how Mikage—and his admonition to Teito against revenge—form a key part of Teito’s struggle, up to the very end. Teito dearly wants to honor his best friend’s wishes, but at the same time, he’s human. He wants justice for all the evil that Ayanami inflicted, as well as revenge for all the pain and suffering.

I don’t really care for the hinting at homosexual relationships in the story (especially with Frau, because he’s got to be twice Teito’s age), but as the hints stay relatively subtle it didn’t subtract much from the story for me.

The ending is really good. It had a bit more epilogue than I expected, which was nice, and it tied everything up in a surprising yet satisfying way. Which is even better considering the major twist that happened not long before that which subverted a lot of my expectations for how the series was going to turn out. I liked how characters that could have been one-offs like some of the Oaks turn into crucial players. I liked the history of the seven ghosts and how Teito has to untangle some of the things that went drastically wrong for each of them.

Overall this is a pretty good fantasy that takes a few volumes to really dig in. It’s not something  I would consider top-tier like Fullmetal Alchemist or Kekkaishi, but it does a good job building a solid story with a number of surprises. I rate this series Recommended.

(Apologies for the glut of posts. I’ve been watching/reading some things over the past season but I don’t like to review them until I’m finished, as I would prefer to look at the overall story than just one episode or a few chapters of manga.)

Assassination Classroom

The students in class 3-E are the outcasts, the rejects, the troublemakers. No one expects them to succeed. Which is why it’s all the more puzzling when an alien creature who blew a huge hole through the moon insists on teaching their class. The creature further claims he’ll destroy the earth in exactly a year—so this year’s classroom, in addition to the usual subjects, is secretly and intensely focusing on a single goal: kill the teacher.

To be honest, although I’d heard a lot of people reviewing this series positively, it took a while for it to grab me. The early episodes feel like they’re all over the place. For a show that’s supposed to be about class 3-E, the beginning spends a lot of time on teachers, outside assassins, and so on that has little to do with the students. And the students are so beaten down by their position that even this highly unusual assignment can fail to make them interesting. The way episodes were often two different stories each told in about ten minutes didn’t help keep my interest. Also, the show would tend to really emphasize something, like the split between class E and the other four classes, then totally forget about it for quite a few episodes, which gave the early pacing especially a jerky feel.

But I kept going because it was okay, if not an instant favorite, and was very pleased with how everything turns out. The long arcs that comprise the end of the first season and the end of the series were much more what I had been hoping to see, as the class pushes themselves to use all their newfound skills in serious situations. I also liked some of the smaller moments scattered around, such as the baseball game, Nagisa’s trick against his new PE teacher, and the Nagisa-versus-Karma fight (well, the whole paintball episode was amusing, but that fight made it one of my favorites).

For the characters, the demure and girlish Nagisa, who narrates much of the story, ties with Karma for my favorites. Nagisa’s not one to stand out most of the time. He’s average at most things, but where other students start showing talents for brawling or sharpshooting, he’s got talents much more in line with actual assassins. He can read situations and react appropriately, which is often creatively. And when he goes for the kill, he goes for the throat. Yet he is still a kid, and sometimes despite having the right instincts, he’s just up against someone too good for him. His backstory was also extremely good, surprising me with reasons for things like his long hair and his personality.

But Nagisa tends to be highly entertaining or drawing in short bursts. Karma is the series-long selling point for me.

Karma is the kid who, when told on his suspension about the new teacher, remarks: “Oh? I’ve always wanted to kill a teacher.” He’s unflappable, smart, and always smiling—usually while doing some vicious prank or needling with words designed to provoke a fight. The uses he finds for wasabi had me in tears because I was laughing so hard. I’m not sure how this goes in English, because I have a sub-only subscription, but this show is worth watching in Japanese to get the full context of how he’ll use English against English-speakers to taunt them. Basically, whenever Karma gets a particularly devilish smile, I knew I was in for a good time.

The other class members get a fair amount of focus, as do the other teachers. I liked what happened with Asano from the main campus, and how stereotypes don’t control more minor characters like him. (It’s also funny how his basic arrogance hasn’t really changed, despite everything . . . and I wish there was some bonus content showcasing him and Karma going head-to-head when they’re older.)

I really liked the ending. It’s a solid ending that ties up everything for the students and the teachers. After all the drama, we get to see the graduation, and even a bit of what happens next. And although it closes many things, it’s the openness that’s really appealing. You can see these students are now people living out their dreams to the full—taking everything they’ve learned in sometimes surprising ways to tackle the challenge of an adult world. Although I’d LOVE for Nagisa to have a bonus half-episode or so going into more detail, because his looks the most amusing, his final visual is a powerful statement of how much what he learned shaped who he is.

All in all, even though I didn’t care for everything about how the story was told, I overall had a blast. The story has its laughs, but also its heartaches, and it ends as a love letter to the teachers and mentors who have had an unforgettable impact on their students’ lives. I rate this series Highly Recommended.